News
Feature Interview: Artscope Magazine
Excerpt:
Pam Kainz works with a torch on acrylic painted panels as her medium. My first internal question: Is there any separation from the artist to the work itself? Fire is a dangerous medium, intangible and unpredictable. It has ideas of its own, independent of the entity manipulating it.
…
Kaye, Marjorie, “PAM KAINZ A BURNING TENSION BETWEEN INTUITION AND INTENTION”, Artscope magazine, USA March/April 2026 p. 18
Solo Exhibition - Bromfield Gallery, Boston
Endurance, Root 01 | Fire on cedar root , 36x30 inches, 2024
Present Tense
Bromfield Gallery
March 4 - 29, 2026
450 Harrison Ave
Boston, MA 02118
A solo exhibition opens in March at Boston’s Bromfield Gallery in the SOWA district.
Opening reception on Friday March 6 from 6-8pm.
Feature Interview: Brookline News
Excerpt:
Enter Riverway Park in the summer and you’ll find Red Sox fans, Longwood Area medical staff and nature walkers passing through. For several years, the walk has seen passersby turning their heads— in delight, shock, or curiosity—toward the sculptures scattered among the trees.
This summer marks the 26th year of Studios Without Walls, a Brookline-based collaborative group of sculptors and conceptual artists that produces art exhibits in outdoor and public settings. For the group’s sixth consecutive summer at Riverway Park, 21 local artists produced 17 site-responsive outdoor sculptures inspired by the theme “dream upon the river.”
…
Luk, Artemesia, “Studios Without Walls celebrates six summers of outdoor sculpture at Brookline’s Riverway Park”, Brookline News, USA Aug 27 2025
The Scope Boston
Pam Kainz is featured in the December issue of The Scope Boston. She shares her inspiration from foraging for tree roots and how she creates art from discarded items. Pam said, “I’m truly honored to be featured in The Scope and to be seen as a changemaker.”
Pamela Kainz is an artist who doesn’t just see beauty in the world — she creates it from what others discard. With a background in neuroscience and a childhood spent on a farm in Wisconsin, she is well versed in identifying problems and finding creative solutions. Kainz, now 54, applies her practical skills to her passion for transforming materials — mostly wood — into meaningful works of art. Her “paintbrush” is a torch, and she forages for wood or finds it at construction sites.